At The L Magazine dot com:
I have a friend who jokes, whenever another early Godard film is playing at Film Forum, “When is that series going to be over?”—as if Film Forum were running one continuous series of Godard films from the 60s...
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Friday, May 28, 2010
Tuesday, May 25, 2010
Dziga Amuck: Daffy Duck and the French New Wave's Marxist Spaghetti Western
At The L Magazine dot com:
Tonight, Light Industry is having a screening of the Dziga Vertov Group’s Wind from the East with Chuck Jones’s Duck Amuck—the kind of inspired curatorial pairing that sets the mind ablaze...
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Tonight, Light Industry is having a screening of the Dziga Vertov Group’s Wind from the East with Chuck Jones’s Duck Amuck—the kind of inspired curatorial pairing that sets the mind ablaze...
Read More
Thursday, May 20, 2010
Call and Response: The Music Video and The Meme
At The L Magazine dot com:
The controversy surrounding M.I.A.'s "Born Free" video is a reminder that the music video is proving to be one of the most durable popular art forms of the late 20th/early 21st centuries. In 1985, J. Hoberman wrote, "The music video is the quintessential postmodern form—this week, anyway...
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The controversy surrounding M.I.A.'s "Born Free" video is a reminder that the music video is proving to be one of the most durable popular art forms of the late 20th/early 21st centuries. In 1985, J. Hoberman wrote, "The music video is the quintessential postmodern form—this week, anyway...
Read More
Thursday, May 6, 2010
Evening Land: Just Because Peter Watkins Was Paranoid...
At The L Magazine dot com:
Tonight at 8, RedChannels presents a rare screening of Peter Watkins’s Evening Land at 92YTribeca. In their program notes, RedChannels says that Watkins was often accused of being paranoid...
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Tonight at 8, RedChannels presents a rare screening of Peter Watkins’s Evening Land at 92YTribeca. In their program notes, RedChannels says that Watkins was often accused of being paranoid...
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Wednesday, May 5, 2010
After the Wall Fell Down
At The L Magazine:
According to artist Amie Siegel, her newest film, DDR/DDR, is part of a series of works about "voyeurism, psychoanalysis, memory, surveillance and modernist architecture," as well as "objectivity, authority and performance." Unafraid of big themes or broad gestures...
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According to artist Amie Siegel, her newest film, DDR/DDR, is part of a series of works about "voyeurism, psychoanalysis, memory, surveillance and modernist architecture," as well as "objectivity, authority and performance." Unafraid of big themes or broad gestures...
Read More
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