At The L Magazine:
As public access television was established between 1969 and 1971, it gave rise to many of the utopian hopes we now find associated with the web: consumers would become producers, robbing the entertainment-industrial complex of its monopoly on our imagination...
Read More
Wednesday, February 2, 2011
Thursday, January 20, 2011
Your Last Ten Days to Catch Elisabeth Subrin's Shulie at the Jewish Museum
At the L:
“Photography evades us,” wrote Roland Barthes, “What the Photograph produces to infinity has occurred only once; the Photograph mechanically repeats what could never be repeated existentially.” And the same could be said of cinema...
Read More
“Photography evades us,” wrote Roland Barthes, “What the Photograph produces to infinity has occurred only once; the Photograph mechanically repeats what could never be repeated existentially.” And the same could be said of cinema...
Read More
Monday, January 10, 2011
Zoom Out, Pan Around
At Moving Image Source:
Read More
In "Rendering Outside the Frame: Film Performance and Installation Art," Scott Stark remembers the San Francisco Art Institute in the 1980s as a time when:
The film department paid attention to film history and film aesthetics, but it was rare for a film teacher to talk about filmmaking in relation to art history, painting, sculpture, and performance art...Read More
Saturday, January 1, 2011
Moments of 2010
A critic's poll, at Moving Image Source:
Animated gifs constitute one of the richest genres of what's been called digital folk culture; the store of home-brewed, computer-based creative work that, like traditional folk culture...
Read More
Animated gifs constitute one of the richest genres of what's been called digital folk culture; the store of home-brewed, computer-based creative work that, like traditional folk culture...
Read More
Wednesday, December 15, 2010
Warren Sonbert at Light Industry: A Dance to the Music of Time
At The L Magazine dot com:
Warren Sonbert’s films are echo chambers in which nothing is unrelated, case studies in formalist paranoia. Colors flash and leave and always reappear; small actions are repeated, creating mini-symphonies of gesture; politicians look like geese and geese look like piano players...
Read More
Warren Sonbert’s films are echo chambers in which nothing is unrelated, case studies in formalist paranoia. Colors flash and leave and always reappear; small actions are repeated, creating mini-symphonies of gesture; politicians look like geese and geese look like piano players...
Read More
Tuesday, December 7, 2010
Milking It
At Moving Image Source:
The most significant meme of the year probably wasn't an epic fail caught on a cell cam, nor a gonzo Japanese commercial, nor a ridiculous cat, nor anything particularly funny or ironic or Schadenfreude-ish or any of the other qualities we've come to associate with self-proliferating online distribution. It was, rather, a series of earnest, crowd-sourced videos telling LGBT youth that It Gets Better.
Read More
The most significant meme of the year probably wasn't an epic fail caught on a cell cam, nor a gonzo Japanese commercial, nor a ridiculous cat, nor anything particularly funny or ironic or Schadenfreude-ish or any of the other qualities we've come to associate with self-proliferating online distribution. It was, rather, a series of earnest, crowd-sourced videos telling LGBT youth that It Gets Better.
Read More
Wednesday, November 10, 2010
Bruce Conner, Cultural Psychic
At The L Magazine:
It makes sense that the artist once hailed as the progenitor of the MTV aesthetic should also, 30 years later, be hailed as the progenitor the YouTube mash-up...
Read More
It makes sense that the artist once hailed as the progenitor of the MTV aesthetic should also, 30 years later, be hailed as the progenitor the YouTube mash-up...
Read More
Subscribe to:
Posts (Atom)