Wednesday, February 2, 2011

New York Public Access

At The L Magazine:

As public access television was established between 1969 and 1971, it gave rise to many of the utopian hopes we now find associated with the web: consumers would become producers, robbing the entertainment-industrial complex of its monopoly on our imagination...

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Thursday, January 20, 2011

Your Last Ten Days to Catch Elisabeth Subrin's Shulie at the Jewish Museum

At the L:

“Photography evades us,” wrote Roland Barthes, “What the Photograph produces to infinity has occurred only once; the Photograph mechanically repeats what could never be repeated existentially.” And the same could be said of cinema...

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Monday, January 10, 2011

Zoom Out, Pan Around

At Moving Image Source:

In "Rendering Outside the Frame: Film Performance and Installation Art," Scott Stark remembers the San Francisco Art Institute in the 1980s as a time when:

The film department paid attention to film history and film aesthetics, but it was rare for a film teacher to talk about filmmaking in relation to art history, painting, sculpture, and performance art...

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Saturday, January 1, 2011

Moments of 2010

A critic's poll, at Moving Image Source:

Animated gifs constitute one of the richest genres of what's been called digital folk culture; the store of home-brewed, computer-based creative work that, like traditional folk culture...

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Wednesday, December 15, 2010

Warren Sonbert at Light Industry: A Dance to the Music of Time

At The L Magazine dot com:

Warren Sonbert’s films are echo chambers in which nothing is unrelated, case studies in formalist paranoia. Colors flash and leave and always reappear; small actions are repeated, creating mini-symphonies of gesture; politicians look like geese and geese look like piano players...

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Tuesday, December 7, 2010

Milking It

At Moving Image Source:

The most significant meme of the year probably wasn't an epic fail caught on a cell cam, nor a gonzo Japanese commercial, nor a ridiculous cat, nor anything particularly funny or ironic or Schadenfreude-ish or any of the other qualities we've come to associate with self-proliferating online distribution. It was, rather, a series of earnest, crowd-sourced videos telling LGBT youth that It Gets Better.

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Wednesday, November 10, 2010

Bruce Conner, Cultural Psychic

At The L Magazine:

It makes sense that the artist once hailed as the progenitor of the MTV aesthetic should also, 30 years later, be hailed as the progenitor the YouTube mash-up...

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