Wednesday, September 22, 2010

Cast Glances: Thomas Comerford’s The Indian Boundary Line and the Contemporary Landscape Film

At Cinema Scope:

Although he has been making a name for himself as a director of exquisitely quiet, meditative avant-garde films since 1997, Thomas Comerford has remained a relatively unsung figure on the experimental scene, partly because he often prefers to bypass film festivals and instead organize DIY tours to various microcinemas around the US...

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Wednesday, September 15, 2010

Freedom

At The L Magazine:

''Always with you this freedom! For your walled-up country, always to shout 'Freedom! Freedom!' as if it were obvious to all people what it means, this word. But look: it is not so simple as that. Your freedom is the freedom-from: no one tells your precious individual U.S.A. selves what they must do...

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Wednesday, August 11, 2010

Market Forces

At Moving Image Source:

In “Why Bother?” a thoughtful, searching essay on the place of literature in contemporary society, author Jonathan Franzen frets that whenever books attempt to critique modern society, they only ever find an audience already in agreement with them, and then he offers this aside...

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Thursday, July 22, 2010

Madness and Civilization

At Moving Image Source:

When Charlie Chaplin's Monsieur Verdoux was released in April 1947, its director was already on his way to becoming persona non grata in American culture. On top of personal scandal...

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Wednesday, July 7, 2010

Elizabeth Hardwick Shines On

At The L Magazine:

Hardwick, who died in late 2007, is most famous as a critic, and perhaps the most remarkable aspect of her essays was her cutting psychological insight. The first eight stories here, written between 1946 and 1959, are penetrating, richly detailed character sketches...

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Thursday, June 17, 2010

Wood's Dilemma

At Moving Image Source:

Robin Wood once wrote, "Any critic who is honest...is committed to self-exposure, a kind of public striptease." In keeping with that spirit...

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Wednesday, June 16, 2010

Reinterpreting the Gods

At Moving Image Source:

In the story of English-language film criticism, Robin Wood looms large. He was one of the first film critics to publish serious, book-length studies of individual directors, and also one of the first to get a job teaching at a university...

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